Humorous Interpretation - Stock Characters
Humorous Interpretation performers have got a list of go-to characters, that includes stance and voice. You have the Matriarch, Sassy Teen, Emo Kid, The Jock, English Gentleman/woman, Geek, Old Man, and the like. For those one-liner characters, or perhaps the ones who are strictly there for outrageous comedic relief, a average character might make a look for a quick laugh. It's actually a cheap laugh, but one that usually works nonetheless. These stock characters, or stereotypes (yes, these include stereotypes as they are with different generalization of a group), are intimate. And there is comfort in the familiar. Audiences understand that character. People can instantly relate, understand the joke, and thus make it easier for a performer to convert a character with minimal exposure right laugh.
{C}
Though, in this politically correct world stock characters can get frowned upon in short order if pushed beyond the boundary. There is risk in having a gay character be flamboyant and extremely Jack from Will & Grace. To protect yourself from turning a laugh right grimace there are a few general stock character rules:
1. Don't overstock. A Humorous Interpretation without a penny but stereotypes is dull. Audiences know these characters; they see them every day on television plus movies. Not only does this over stereotype use bore your audience, additionally, it displays how unoriginal you might be with interpretation. In the event entitled Humorous Interpretation it would be wise to prominently promote your interpretation skills by, perhaps, actually a little bit of?
2. Know the limits. A stock character can swiftly transform right harsh stereotype in case the joke is taken beyond the boundary. Exaggeration works in comedy which is one of the prominent features, but utilizing a stereotype's gesture/vocalization to an extreme is non-funny. How California-bubbly of the voice are you going to amplify that Cheerleader who flips her hair Approach to much and details words? Seriously. It's like watching a guy tell fiction he thinks is HILARIOUS, and laugh wildly concerning this in an annoying way, when it really is not. Just stop. The joke is dead.
3. SUBSTANCE!!! A stock character for a minor role is ok and can be a riot if done tactfully. A lead role as being a blatant stereotype, unless the script deems so, won't work. Comedy is funny because of the crazy shenanigans characters go into and the over-the-top performances. HOWEVER, there must be some reflection of reality, otherwise there isn't a merit to your work. Comedy is supposed to teach life lessons inside an embellished manner. How should audiences connect and study from a Humorous Interpretation if the characters are so distant and unreal?
4. Familiarity. Stock characters/stereotypes are images and voices and caricatures the viewers has seen before. Ergo, your Humorous Interpretation can potentially become boring in case the character has no real flair. To use a stock character you have to give all your energy and selling it. Try adding different quirks as stated/interpreted through the script as well to add some originality. HI performers have to be creative and energetic to win the viewers.
Fractured Flickers Pat Carroll guest Just One Night Frenchmen Bob Saget Blue State Brutal Massacre A Comedy Kissin Cousins Sgt Kabukiman NYPD Disco Worms Elvis Has Left The Building Every time just like this C H O M P S Fractured Flickers Pat Carroll guest Just One Night Frenchmen Bob Saget Blue State Brutal Massacre A Comedy Kissin Cousins Sgt Kabukiman NYPD Disco Worms Elvis Has Left The Building Every time just like this C H O M P S Fractured Flickers Pat Carroll guest Just One Night Frenchmen Bob Saget Blue State Brutal Massacre A Comedy Kissin Cousins Sgt Kabukiman NYPD Disco Worms Elvis Has Left The Building Every time just like this C H O M P S Fractured Flickers Pat Carroll guest Just One Night Frenchmen Bob Saget Blue State Brutal Massacre A Comedy Kissin Cousins Sgt Kabukiman NYPD Disco Worms Elvis Has Left The Building Every time just like this C H O M P S Fractured Flickers Pat Carroll guest Just One Night
Creating categories and labeling groups is unavoidable. Stock characters have been established since the Ancient Greeks created theatre (that can forget Theophrastus' character from the Unpleasant Man?). In the past, easily recognizable characters--through dress, mask, and stance--were necessary hence the audience knew the persona and might learn the moral towards Drama without complication. Thousands of years later and humans still should generalize and create an image of the group. People correspond with the generalization yet can distance themselves plenty of to give comfort likely "not that person." This fine balance really helps allow for some connection and catharsis to ensue. Break the bubble of comfort and the ones find the generalization tasteless. If you know, stereotypes/stock characters can become mean and mindless when lacking heart and if pushed beyond boundaries. Often be mindful of the stock character you make use of and ask "is this too far?"